Highlights from Acceptance by Jeff Vandermeer Last read on February 4, 2024
Highlights from this book
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You feel numb and you feel broken, but there’s a strange relief mixed in with the regret: to come such a long way, to come to a halt here, without knowing how it will turn out, and yet… to rest. To come to rest. Finally. All of your plans back at the Southern Reach, the agonizing and constant fear of failure or worse, the price of that… all of it leaking out into the sand beside you in gritty red pearls.
The landscape surges toward you, curling over from behind to peer at you; it flares in places, or swirls or reduces itself to a pinprick, before coming back into focus. Your hearing isn’t what it once was, either—has weakened along with your balance. And yet there comes this impossible thing: a magician’s trick of a voice rising out of the landscape and the suggestion of eyes upon you. The whisper is familiar: Is your house in order? But you think whoever is asking might be a stranger, and you ignore it, don’t like what might be knocking at the door.
The throbbing of your shoulder from the encounter in the tower is much worse. The wound betrayed you, made you leap out into that blazing blue expanse even though you hadn’t wanted to. Some communication, some trigger between the wound and the flame that came dancing across the reeds betrayed your sovereignty. Your house has rarely been in such disarray, and yet you know that no matter what leaves you in a few minutes something else will remain behind. Disappearing into the sky, the earth, the water, is no guarantee of death here.
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It had taken more than a year for him to understand why: Preaching had been projecting out, imposing himself on the world, with the world then projecting onto him. But tending to the lighthouse—that was a way of looking inward
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Through the door, on your way to Area X, you feel a kind of pressure that bends you low, see a black horizon full of shooting stars, their trails bleeding so rich and deep across the non-sky that you squint against the brilliance of that celestial welder’s torch. A sense of teetering, of vertigo, but each time you lurch too far to one side or the other, something nudges you back toward the center, as if the edges, closer than they seem, curl up at a more severe angle. Your thoughts dart quick then slow, something stitching between them you cannot identify. The impulse comes to stop walking, to just stand there, in the corridor between the real world and Area X, for an eternity.
While hypnotized Whitby shuffles along, eyes closed, his face a twitching mass of tics as if he’s having an intense dream. Whatever haunts him inside his own head, you’ve made sure he won’t get lost, won’t just come to a halt somewhere in transit. He’s tied to you by the wrists with a nylon rope, and he stumbles along behind.
The molasses feeling Whitby told you to expect comes next, the sense of wading through thigh-high water, the resistance that means you are close to the end, a hint of the deep, spiraling door of light far ahead, and just in time, because stoic as you could be, Whitby’s dream- walking has begun to get to you, makes you think things look in at you. You lose the sense of where you are in relation to anything, even your own body… Are you really walking, or are you standing still and your brain just thinks that your feet are lifting up, falling down, lifting up again?
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A prickling engulfs your head under your mask, a kind of smooth, seamless insertion of a million cold, painless needles, ever so subtle, ever so invisible, so that you can pretend it is just a spreading heat against your skin, a taut feeling across the sides of your nose, around your eyes, the quiet soft entry of needles into a pincushion, the return of something always meant to be there.
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“Or this,” Control said. “Or this: ‘Or are we back in time, some creature or impulse from the past replenishing us as we grind to a halt.’”
“A stupid thing to say,” Ghost Bird said, unable to resist the bait. “Natural places are no different than human cities. The old exists next to the new. Invasive species integrate with or push out native species. The landscape you see around you is the same as seeing an old cathedral next to a skyscraper. You don’t believe this crap, do you?”
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“Have you not understood yet that whatever’s causing this can manipulate the genome, works miracles of mimicry and biology? Knows what to do with molecules and membranes, can peer through things, can surveil, and then withdraw. That, to it, a smartphone, say, is as basic as a flint arrowhead, that it’s operating off of such refined and intricate senses that the tools we’ve bound ourselves with, the ways we record the universe, are probably evidence of our own primitive nature. Perhaps it doesn’t even think that we have consciousness or free will— not in the ways it measures such things.”
“If that’s true, why does it pay us any attention at all?”
“It probably extends to us the least attention possible.”
Is there something in the corner of your eye that you cannot get out?
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Across the deepening blue, high up, something drifted that resembled ripped and tattered streamers. Long and wide and alien. Its progress so far up, so far away… Control thought of an invisible shredded plastic bag, eviscerated to elongate and drift through the sky… except it was thicker than that and part of the sky, too. The texture of it, the way it existed and didn’t exist, made him recoil, made his hand twitch, become numb, skin cold, remembering a wall that was not a wall. A wall that had been breathing under his touch.
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Hellfire and apocalyptic visions, the coming destruction of the world by demons, could not sustain a man for long without robbing him of something, too.
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Even as he knew the words came from him, had always come from him, and were being emitted soundlessly from his mouth. And that he had been speaking already for a very long time, and that each word had been unraveling his brain a little more, a little more, even as each word also offered relief from the pressure in his skull. While what lay below waited for his mind to peel away entirely. A blinding white light, a plant with leaves that formed a rough circle, a splinter that was not a splinter.
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At his back, the moon had filled utterly with blood and was plummeting to the Earth, descending in the midst of a flame so hot he could feel it at his back. The dead and the dying had taken up the cry of approaching oblivion.
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Lowry’s secret facility, on a dreary part of the east coast, with gravel beaches and stark yellowing grass, has been set up on the bones of an old military base. Here, Lowry has been perfecting his neurology and conditioning techniques—some would say brainwashing. From atop a mossy hill hollowed out for his command and control, he rules a strange world of decommissioned silver harbor mines lolling on the lawn below and rusting gun emplacements from wars fought seventy years ago. Lowry has had a replica of Area X’s lighthouse built and a replica of the expedition base camp, and even a hole in the ground meant to approximate the little known about the “topographical anomaly.” You knew this before you were summoned, and in your imagination this false lighthouse and false base camp were foreboding and almost supernatural in their effect. But, in truth, standing there with Lowry, looking out across his domain through a long plate of tinted glass, you feel more as if you’re staring at a movie set: a collection of objects that without the animation of Lowry’s paranoia and fear, his projection of a story upon them, are inert and pathetic. No, not even a movie set, you realize. More like a seaside carnival in the winter, in the off-season, when even the beach is a poem about loneliness. How lonely is Lowry out here, surrounded by all of this?
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Writing, for me, is like trying to restart an engine that has rested for years, silent and rusting, in an empty lot—choked with water and dirt, infiltrated by ants and spiders and cockroaches. Vines and weeds shoved into it and sprouting out of it. A kind of coughing splutter, an eruption of leaves and dust, a voice that sounds a little like mine but is not the same as it was before; I use my actual voice rarely enough.
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Ahead, the birds that shot through the sky trailed blurs of color that resembled other versions of themselves, that might have been hallucinations. The air seemed malleable, or like it could be convinced or coerced.
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Ghost Bird saw it from the landing window. How the biologist coalesced out of the night, her body flickering and stitching its way into existence, in the midst of a shimmering wave that imposed itself on the reality of forested hillside. The vast bulk seething down the hill through the forest with a crack and splinter as trees fell to that gliding yet ponderous and muffled darkness, reduced to kindling by the muscle behind the emerald luminescence that glinted through the black. The smell that presaged the biologist: thick brine and oil and some sharp, crushed herb. The sound that it made: as if the wind and sea had been smashed together and in the aftershock there reverberated that same sonorous moan. A seeking. A questing. A communication or communion. That, Ghost Bird recognized; that, she understood.
The hillside come alive and sliding down to the ruined lighthouse, at a steady pace like a lava flow. This intrusion. These darknesses that re- formed into a mighty shape against the darkness of the night sky, lightened by the reflections of clouds and the greater shadow of the tree line and the forests.
It bore down on the lighthouse, that strange weight, that leviathan, still somehow half here and half not, and Ghost Bird just stood at the window waiting for it, while Grace and Control screamed at her to come away, to get away, but she would not come, would not let them pull her from the window, and stood there like the captain of a ship facing a monumental storm, the waves rising huge against the window. Grace and Control gone, running down the stairs, and then that great bulk was shoved up against the window and smashing into the doorway below in a crack and crumble of stone and brick. Leaning against the lighthouse, and the lighthouse resisting, but only just.
The song had grown so loud as to be almost unbearable. Now like deep cello strings, now like guttural clicking, now eerie and mournful. The great slope of its wideness was spread out before Ghost Bird, the edges wavery, blurred, sliding off into some other place. The mountain that was the biologist came up almost to the windowsill, so close she could have jumped down onto what served as its back. The suggestion of a flat, broad head plunging directly into torso. The suggestion, far to the east, already overshooting the lighthouse, of a vast curve and curl of the mouth, and the flanks carved by dark ridges like a whale’s, and the dried seaweed, the kelp, that clung there, and the overwhelming ocean smell that came with it. The green-and-white stars of barnacles on its back in the hundreds of miniature craters, of tidal pools from time spent motionless in deep water, time lost inside that enormous brain. The scars of conflict with other monsters pale and dull against the biologist’s skin.
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Someone was in his lighthouse. More than one person. Whispering. Or maybe even shouting, the sound by the time it infiltrated the brick and stone, the wood and steel, brought to him through a distance, a time, that he couldn’t know. The irrational thought that he was hearing the ghosts of dozens of lighthouse keepers all at once, in a kind of threnody, the condensed chorus of a century. Another phantom sound?
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Later Whitby will regale you with information on how quantum mechanics impacts photosynthesis, which is all about “antenna receiving light and antenna can be hacked,” about how “one organism might peer out from another organism but not live there,” of how plants “talk” to one another, how communication can occur in chemical form and through processes so invisible to human beings that the sudden visibility of it would be “an irreparable shock to the system.”
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A little embarrassed, he said, “That fish down there sure is frightened of you.”
“Huh? It just doesn’t know me. If it knew me, that fish would shake my hand.”
“I don’t think there’s anything you could say to convince it of that. And there are all kinds of ways you could hurt it without meaning to.” Watching those unblinking blue eyes with the gold streaks—the dark vertical pupil—that seemed like a fundamental truth.
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“And before we could even think about selling that house,” the Realtor’s telling you, “we had to pull ten layers of wallpaper off. All this woman had done for a decade was keep re-wallpapering her house. It was a hell of a lot of wallpaper, and garish, like she was putting up warning signals. Wrapping her house from the inside out. I tell you, I’ve never seen that before.”
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The piano playing became discordant, or was he just hearing it better… or worse? On his stool against the wall, beer in hand, he contemplated that. Contemplated the way people’s voices were getting confused, as if they’d become mixed up, and the thrum rising under his skin, the thrum and hum and the ringing in his ears. It felt like something was coming toward him from very far away—toward and into him. His throat was dry and chalky. His beer tasted funny. He put it down, looked around the room.
Old Jim couldn’t stop playing the piano, although he did it so badly, fingers too hard against the keys, the keys smudged with his red blood as he now began to roar out a song Saul had never heard before, with lyrics that were incomprehensible. The other musicians, most of them seated around Old Jim, let their instruments fall from slack hands, and stared at one another as if shocked by something. What were they shocked by? Sadi was weeping and Brad was saying, “Why would you do that? Why in the hell would you be doing that?” But Brad’s voice was coming out of Sadi’s body, and blood was dripping out of Brad’s left ear, and the people slumped at the bar proper… had they been slumped that way a moment before? Were they drunk or dead?
Old Jim erupted out of his seat to stand, still playing. He was reaching a chaotic crescendo on his shouting, shrieking, yowling song, his fingers destroyed joint by joint as blood smashed out from the piano onto his lap and down onto the floor.
Something was hovering above Saul. Something was emanating out of him, was broadcasting through him, on frequencies too high to hear.
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She had rejected a mask filter, and with it the idea that somehow Area X was only concentrated here, in this cramped space, on these stairs, in the phosphorescent words with which she had become too familiar. Area X was all around them; Area X was contained in no one place or figure. It was the dysfunction in the sky, it was the plant Control had spoken of. It was the heavens and earth. It could interrogate you from any position or no position at all, and you might not even recognize its actions as a form of questioning.
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She saw or felt, deep within, the cataclysm like a rain of comets that had annihilated an entire biosphere remote from Earth. Witnessed how one made organism had fragmented and dispersed, each minute part undertaking a long and perilous passage through spaces between, black and formless, punctuated by sudden light as they came to rest, scattered and lost—emerging only to be buried, inert, in the glass of a lighthouse lens. And how, when brought out of dormancy, the wire tripped, how it had, best as it could, regenerated, begun to perform a vast and preordained function, one compromised by time and context, by the terrible truth that the species that had given Area X its purpose was gone. She saw the membranes of Area X, this machine, this creature, saw the white rabbits leaping into the border, disappearing, and coming out into another place, the leviathans, the ghosts, watching from beyond. All of this in fragments through taste or smell or senses she didn’t entirely understand.
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Because a glow awaited him at the top of the stairs, and not the faint green phosphorescence that now arose from the walls, the steps. No, this was a sharp light that knew its purpose, he could tell that already.
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An almost holy intensity rose from somewhere within and filled Saul up, along with a dizziness. Light was leaking out of him now, too, coursing down through the trapdoor to communicate with what lay below, and there came the sensation of something pulling him close, holding him tight… of recognizing him.
In rebellion against that, he rose from his crouch, arms out to the side for balance, teetering there on the edge of the trapdoor, staring down into that swirl of petals until he could resist no more, was falling into the pure white corona of a circle of fire, into a congregation of flames, a burning so pure that turning to ash was a kind of relief, engulfed by light that consecrated not just him but everything around him, anchoring receiver and received.
There shall be a fire that knows your name, and in the presence of the strangling fruit, its dark flame shall acquire every part of you
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You nod off. You come to. You nod off again. Then you hear something creeping low and soft across the tiles of the kitchen, just out of view. A kind of terrified lurching shudder burns through you. There’s a slow scuttle to the sound, so you can’t really identify it, get a sense of what has crept into your house. You don’t move for a very long time, waiting to hear more, not wanting to hear more. You think you might not ever get up, go to the kitchen, see what animal awaits you there. But it’s still moving, it’s still making noise, and you can’t sit there forever. You can’t just sit there.
So you get up, you brandish the ax, you walk to the kitchen counter, lean on tiptoe to peer at the kitchen floor, but whatever it is has nudged up against the left side, out of view. You’re going to have to walk around and confront it directly.
There, scuttling across the floor, blind and querulous, is the old cell phone—scrabbling and bulky, trying to get away from you. Or trying to burrow into the cabinets, to hide there. Except it isn’t moving now. It hasn’t moved the whole time you’ve been staring at it. You look at the phone in shock for so many moments. Maybe from the surprise of it or as a defense mechanism, all you can think is that your work has followed you home. All you can think of is the monstrous breach. Either in reality or in your mind.
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Stumbling in the dark, scraping up against palmettos and tough scrub, pushing past the uprising of this undergrowth, a foot into black water and out again. The sharp scent of fox piss, the suggestion of an animal or animals watching him. Trying now to hold his balance. Trying to hold on to his wits. But a universe was opening up in his head, filled with images he didn’t, couldn’t understand.
A flowering plant that could never die.
A rain of white rabbits, cut off in mid-leap.
A woman reaching down to touch a starfish in a tidal pool.
Green dust from a corpse blowing away in the wind.
Henry, standing atop the lighthouse, jerking and twitching, receiving a signal from very, very far away.
A man stumbling through the forgotten coast in army fatigues, all of his comrades dead.
And a light that found him from above, pinning him there, some vital transaction complete.
The feel of wet dead leaves. The smell of a bonfire burning. The sound of a dog, distant, barking. The taste of dirt. And overhead, the interlocking branches of the pines.
There were strange ruined cities rising from his head, and with them a sliver that promised salvation. And God said it was good. And God said, “Don’t fight it.” Except that all he wanted to do was fight it. Holding on to Charlie, to Gloria, even to his father. His father, preaching, that inner glow, as of being taken up by something greater than himself, which language could not express.
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But now came the crucible, now came the test.
“What if there is no world out there? Not as we know it? Or no way out to the world?” Grace saying this, while existing in that moment in a world that was so rich and full.
“We’ll know soon enough,” Ghost Bird said, and took Grace’s hand for a moment, squeezed it.
Something in Ghost Bird’s expression must have calmed her, for Grace smiled, said, “Yes, we will. We’ll know.” Between them, they might know more than any person still living on Earth. It was just an ordinary day. Another ordinary summer day. So they walked forward, throwing pebbles as they went, throwing pebbles to find the invisible outline of a border that might not exist anymore. They walked for a long time, throwing pebbles at the air.
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The questioning is over. Area X is done with you, has taken every last little thing out of you, and there’s a strange kind of peace in that. A backpack. The remains of a body. Your gun, tossed into the surf, your letter to Saul, crumpled and tumbling across the dried seaweed and the sand.
You are still there for a moment, looking out over the sea toward the lighthouse and the beautiful awful brightness of the world.
Before you are nowhere.
Before you are everywhere.